Among the large corpus of Buddhist sūtra-texts, the existence of a category/group of sūtras transmitted by laypeople (upāsaka/upāsika) in cooperation with monastics (bhikṣu/bhikṣuṇī) was well established during the early oral phase of the t...

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https://www.riss.kr/link?id=A110079759
Hiromi HABATA (International College for Postgraduate Buddhist Studies) ; Satomi HIYAMA (Toyo University)
2025
English
KCI등재,등재후보
학술저널
99-134(36쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
Among the large corpus of Buddhist sūtra-texts, the existence of a category/group of sūtras transmitted by laypeople (upāsaka/upāsika) in cooperation with monastics (bhikṣu/bhikṣuṇī) was well established during the early oral phase of the t...
Among the large corpus of Buddhist sūtra-texts, the existence of a category/group of sūtras transmitted by laypeople (upāsaka/upāsika) in cooperation with monastics (bhikṣu/bhikṣuṇī) was well established during the early oral phase of the transmission of Buddhism. This category was called mahāsūtras in the Sarvāstivāda tradition, and its details were listed in several texts. The contents of the mahāsūtras are appropriate for laypeople to understand the teaching of the Buddha. Besides, the texts often contain dhāraṇī, therefore had a function as protective texts (rakṣā). As previous art-historical studies have revealed, some of the narrative subjects, which are illustrated in the wall paintings decorating the Buddhist rock-cut monasteries of Kucha, are recounted in the mahāsūtras. This paper explores whether and how the mahāsūtras are related to the iconographical program of the Buddhist caves of Kucha.
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