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      사진과 인공지능 : 기술 이미지의 진화 = Photography and artificial intelligence: evolution of technical image

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      https://www.riss.kr/link?id=A106973230

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The purpose of this article is to examine how artificial intelligence has changed the way images are produced and distributed after photography. Bazin defined the photography as an auto-generated image, and Flusser defined it as the first technical image and saw the property as the program’s automatism. The core of the image production method using computer programs and algorithms, which are rapidly evolving in recent years, is automation. In this regard, it can be said that the artificial intelligence image inherited the automaticity of photography. The problem here is that humans are excluded. The same problem occurs not only in the production process of images, but also in the process of receiving and distributing images. This is because it automatically accepts information that is automatically calculated. This article seeks to explore where human positions are in this cultural environment dominated by automatism.
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      The purpose of this article is to examine how artificial intelligence has changed the way images are produced and distributed after photography. Bazin defined the photography as an auto-generated image, and Flusser defined it as the first technical im...

      The purpose of this article is to examine how artificial intelligence has changed the way images are produced and distributed after photography. Bazin defined the photography as an auto-generated image, and Flusser defined it as the first technical image and saw the property as the program’s automatism. The core of the image production method using computer programs and algorithms, which are rapidly evolving in recent years, is automation. In this regard, it can be said that the artificial intelligence image inherited the automaticity of photography. The problem here is that humans are excluded. The same problem occurs not only in the production process of images, but also in the process of receiving and distributing images. This is because it automatically accepts information that is automatically calculated. This article seeks to explore where human positions are in this cultural environment dominated by automatism.

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      참고문헌 (Reference)

      1 Flusser, Vilem, "코무니콜로기" 커뮤니케이션북스 2001

      2 김남시, "축음기, 영화, 타자기" 문학과 지성사 2019

      3 Bentley, Peter, "Toward a philosophy of photography" Reaktion Books Ltd 1983

      4 Lehman, Joel, "The surprising creativity of digital evolution: a collection of anecdotes from the evolutionary computation and artificial life research communities" University of Southampton 2018

      5 Bazin, André, "Qu’est-ce que le cinema?" Cerf 1945

      6 Haton, Jean-Paul, "L’intelligence artificielle" P. U. F 1989

      7 Marx, Karl, "Le Capital" Flammarion 1897

      8 Flusser, Vilem, "Into the universe of technical images" University of Minnesota Press 2011

      9 Nguyen, Anh, "Innovation engines: automated creativity and improved stochastic optimization via deep learning" 2015

      10 Goodfellow, Ian J, "Generative Adversarial Nets" Université de Montréal 2014

      1 Flusser, Vilem, "코무니콜로기" 커뮤니케이션북스 2001

      2 김남시, "축음기, 영화, 타자기" 문학과 지성사 2019

      3 Bentley, Peter, "Toward a philosophy of photography" Reaktion Books Ltd 1983

      4 Lehman, Joel, "The surprising creativity of digital evolution: a collection of anecdotes from the evolutionary computation and artificial life research communities" University of Southampton 2018

      5 Bazin, André, "Qu’est-ce que le cinema?" Cerf 1945

      6 Haton, Jean-Paul, "L’intelligence artificielle" P. U. F 1989

      7 Marx, Karl, "Le Capital" Flammarion 1897

      8 Flusser, Vilem, "Into the universe of technical images" University of Minnesota Press 2011

      9 Nguyen, Anh, "Innovation engines: automated creativity and improved stochastic optimization via deep learning" 2015

      10 Goodfellow, Ian J, "Generative Adversarial Nets" Université de Montréal 2014

      11 "Generated photos terms and conditions"

      12 Sims, Karl, "Evolved virtual creatures"

      13 Sims, Karl, "Artificial evolution for computer graphics" Thinking Machines Corporation 25 (25): 1991

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2026 평가 재인증평가 신청대상 (재인증)
      2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
      2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 등재 등재 1차 FAIL (등재유지) KCI등재
      2010-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
      2009-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2008-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
      2007-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
      2005-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.05 0.05 0.06
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.06 0.07 0.366 0
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