극작가 박동화의 로칼 인식과 실천 = 〈나의 독백은 끝나지 않았다〉, 〈여운〉을 중심으로

다국어 초록 (Multilingual Abstract)

This study analyzed plays by Park Dong-hwa including 〈My monologue has not ended〉 (1959) and 〈Afterglow〉 (1962) through the prism of place, space, and locality. This prism heavily depends on Lefebvre’s concept of ‘social space’. These two works have been selected to analyze how the author’s space perception and practice appeared through the principle before/after the April 19th Revolution in 1960 as a new milestone in the era.
Place and space, together with time, are the original prospects of existence. Therefore, they could reveal the meaning of local beings because these concepts make it possible to see the solidarity and isolation of interpersonal relationships or relationships with other objects. Moreover, they are expected to provide useful values to understand the concrete aspect and psychological reality of their relationships, the status in the society where he belongs to, and his status or perception of the world.
The facts verified by this study are as follows. Firstly, the locality of the plays by Park Dong-hwa reveal the dual gaze of the subject viewing the space. It is the result of the subject’s perception and spatial practice through interactions of contexts, including ‘survival of traditional character’ and colonial ‘hybridity’. Secondly, the locality of the plays by Park Dong-hwa is revealed through the rewriting of locality. For this, he is attempting to rediscover the peripheral value of locality and to create narratives of victory, which could be verified through the fact that the key impetus of play narratives is shown by peripheral characters in most cases.
This study is expected to be an opportunity to expand the horizon of play history or regional literature history by overcoming the bias of existing research that focuses on the central literary world and theatrical world.

목차 (Table of Contents)

• 1. 문제의 제기
• 2. 공간, 장소, 로칼리티
• 3. ‘로칼’을 바라보는 이중적 시선
• 4. 로칼 다시쓰기 - ‘주변적 가치’의 승리
• 5. 맺는 말
• 참고문헌
• [Abstract]