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    소설과 영화의 매체 간 상호텍스트성 연구 - 이청준의 「이어도」와 김기영 감독의 영화 <이어도>를 중심으로 = A Study on the Intertextuality between Fiction and Film - with Special Reference to Ieodo written by Lee, Chung Joon and Ieodo directed by Kim, Ki Young.

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The purpose of this thesis is to study the intertextuality to across genre and media in fiction and film. In the study of an intertextuality in fiction and film, the most decisive factor is a medium. Fiction is composed of a single sign, a letter which points to notions and forms connotation. Otherwise, film is composed of visual images, utterances, narrations and sound. The visual images can't define notion but can evoke notions, also can't narrate events but can show the situation. Moreover, while a narrator governs the whole narrative in fiction, it is too complicated to define the narrator which governs the whole narrative in film. So the intertextuality between original fiction and adapted film shows the new horizon of esthetic and theme.

    Ieodo written by Lee, Chung Joon and Ieodo directed by Kim, Ki Young constructed different esthetic and discourses each other through difference of materials and modes of expression. While Ieodo written by Lee, Chung Joon composes the narrative of a firm belief through the language of narration and comments, Ieodo directed by Kim, Ki Young shows symbols of images. In Ieodo written by Lee, Chung Joon, the world of myth overwhelms the real world, but there are collision between mythic ideas and an outlook on the world of modern ages in Ieodo directed by Kim, Ki Young. Due to these dynamic transferal of media, an adapted film not only brings motives from an original work but also gets out of the original work as centripetal force. Owing to more territory of uncertainty the rhetoric of film images offer different esthetic and meaning to the audiences.

    The intertextuality between fiction and film extends the ways of thoughts and expressions. It is the voice of narrator that makes cultural discourse in fiction. Through the transfer of media, the voice of narrator in fiction varies diverse signs and narrative devices. So transitions of esthetics and discourses also occur. Now cultural discourses exist in dynamic of mutual variations of genre and media. And there mutual medial substitution enrich the esthetics and themes of each text.

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    The purpose of this thesis is to study the intertextuality to across genre and media in fiction and film. In the study of an intertextuality in fiction and film, the most decisive factor is a medium. Fiction is composed of a single sign, a letter whic...

    The purpose of this thesis is to study the intertextuality to across genre and media in fiction and film. In the study of an intertextuality in fiction and film, the most decisive factor is a medium. Fiction is composed of a single sign, a letter which points to notions and forms connotation. Otherwise, film is composed of visual images, utterances, narrations and sound. The visual images can't define notion but can evoke notions, also can't narrate events but can show the situation. Moreover, while a narrator governs the whole narrative in fiction, it is too complicated to define the narrator which governs the whole narrative in film. So the intertextuality between original fiction and adapted film shows the new horizon of esthetic and theme.

    Ieodo written by Lee, Chung Joon and Ieodo directed by Kim, Ki Young constructed different esthetic and discourses each other through difference of materials and modes of expression. While Ieodo written by Lee, Chung Joon composes the narrative of a firm belief through the language of narration and comments, Ieodo directed by Kim, Ki Young shows symbols of images. In Ieodo written by Lee, Chung Joon, the world of myth overwhelms the real world, but there are collision between mythic ideas and an outlook on the world of modern ages in Ieodo directed by Kim, Ki Young. Due to these dynamic transferal of media, an adapted film not only brings motives from an original work but also gets out of the original work as centripetal force. Owing to more territory of uncertainty the rhetoric of film images offer different esthetic and meaning to the audiences.

    The intertextuality between fiction and film extends the ways of thoughts and expressions. It is the voice of narrator that makes cultural discourse in fiction. Through the transfer of media, the voice of narrator in fiction varies diverse signs and narrative devices. So transitions of esthetics and discourses also occur. Now cultural discourses exist in dynamic of mutual variations of genre and media. And there mutual medial substitution enrich the esthetics and themes of each text.

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    참고문헌 (Reference)

    1 임권택, "「축제」, 이태원"

    2 이창동, "「밀양」, 파인하우스 필름"

    3 우찬제, "텍스트의 수사학" 서강대학교 출판부 2005

    4 이청준, "축제" 열림원 1996

    5 이승준, "이청준 소설 연구-정신분석학적 관점에서" 한국학술정보 2005

    6 이길성, "이어도 작품론, 『김기영 컬렉션 해설집』, 한국영상자료원"

    7 김기영, "이어도 In: 김기영 컬렉션" 한국영상자료원 2008

    8 이청준, "이어도" 열림원 1998

    9 자크 오몽, "이마주L'image" 동문선 2006

    10 김지원, "원형의 샘 In: 이청준" 도서출판 은애 1979

    1 임권택, "「축제」, 이태원"

    2 이창동, "「밀양」, 파인하우스 필름"

    3 우찬제, "텍스트의 수사학" 서강대학교 출판부 2005

    4 이청준, "축제" 열림원 1996

    5 이승준, "이청준 소설 연구-정신분석학적 관점에서" 한국학술정보 2005

    6 이길성, "이어도 작품론, 『김기영 컬렉션 해설집』, 한국영상자료원"

    7 김기영, "이어도 In: 김기영 컬렉션" 한국영상자료원 2008

    8 이청준, "이어도" 열림원 1998

    9 자크 오몽, "이마주L'image" 동문선 2006

    10 김지원, "원형의 샘 In: 이청준" 도서출판 은애 1979

    11 루이스 자네티, "영화의 이해" 현암사 2007

    12 시모어 채트먼, "영화와 소설의 수사학" 동국대학교 출판부

    13 앙드레 바쟁, "영화란 무엇인가" 시각과 언어 1998

    14 김수용, "안개" 태흥영화사 1967

    15 조엘 마니, "시점: 시네아스트의 시선에서 관객의 시선으로" 이화여자대학교 출판부 2007

    16 Anne Huet, "시나리오" 이화여자대학교 출판부 2006

    17 이채원, "소설과 영화의 매체 전이 양상에 대한 수사학적 연구" 서강대학교 2007

    18 양진오, "섬, 바다, 강 그리고 인간의 운명 In: 이어도" 열림원 1998

    19 이청준, "벌레이야기" 열림원 2007

    20 W. 헹크만, "미학사전" 예경 1998

    21 현길언, "문제 탐색을 위한 다층적 플롯 In: 이청준論" 삼인행 1991

    22 김승옥, "무진기행" 동아출판사 1995

    23 허지웅, "김기영의 마술적 리얼리즘을 회상하다. 김기영 감독 8주기를 맞이하며 In: 필름 2.0" 2006

    24 김소영, "김기영과 쾌락의 영역 In: 판타스틱 한국영화 근대성의 유령들" 씨앗을 뿌리는 사람 2000

    25 Seymour Chatman, "New Directions in Voice-Narrated Cinema, In: Narratologies: a new perspectives on Narrative Analysis" Ohio State University Press 1999

    26 Jakob Lothe, "Narrative in Fiction and Film" Oxford University Press 2000

    27 David Bordwell, "Narration in the Fiction Film, Madison, Wisconsin"

    28 Graham Allen, "Intertextuality" Routledge 2000

    29 H. F. Plett, "Intertextualities In: Intertextuality" Walter de Gruyter 1991

    30 Laura Mulvey, "Fetishism and Curiosity" Indiana University Press 1996

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    연월일 이력구분 이력상세 등재구분
    2016 평가 신규평가 신청대상 (신규평가)
    2015-12-01 등재 등재후보 탈락 (기타)
    2013-01-01 등재 등재후보학술지 유지 (기타) KCI등재후보
    2012-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2011-01-01 등재 등재후보학술지 유지 (등재후보1차) KCI등재후보
    2010-01-01 등재 등재후보학술지 유지 (등재후보2차) KCI등재후보
    2009-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2007-05-07 학회명변경 영문명 : The Soceity of Poetics & Linguistics -> The Society of Poetics & Linguistics KCI등재후보
    2007-05-07 학회명변경 영문명 : Poetics & Linguistics -> The Soceity of Poetics & Linguistics KCI등재후보
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