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      광고로 만나는 경성의 미인, 모던걸 모던보이 = Modern Girl and Modern Boy, Beauties of Gyeongseong Shown in Advertisement

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      https://www.riss.kr/link?id=A102679646

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      Modern girl and modern boys meant a group of beauties who wore modern fashion and contemporary fashion at the height of modernity in Gyeongseong area. They are clearly distinguished from the previous figures by forming a new self that is mediated by the consumer of modern culture and the representation of goods.
      The leveling of consumption brought about by the transition from the class system to the capital society is accelerated by the appearance and advertisement of mass media which are printed and distributed to the masses like newspapers. In particular, newspaper advertisement can be said that it implies consumption culture by persuading and producing desire of people. As such, the advertisement in the modern era was not also a new culture but also a media that reflected and created a new awareness, value and ideology in the society by promoting consumption through introduction of new civilization and information.
      The narrative and image of modern girl and modern boy of Gyeongseong are suggested and vividly reflected through various visual materials such as newspaper advertisements, illustrations and photographs of the time. The advertisement was the medium that popularized and learned the idealized modern image that modern boy and modern boy pursued in the most familiar way to the public. In this way, modern boy and modern girl were consumers who appeared in the proliferation of consumer culture. In the process, while they were criticized as a symbol of luxury and vanity, they were also accepters of a new culture at the height of the modern era and the beauties of the modern era who attempted to experience modern, modernity, modern culture and modern value directly.
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      Modern girl and modern boys meant a group of beauties who wore modern fashion and contemporary fashion at the height of modernity in Gyeongseong area. They are clearly distinguished from the previous figures by forming a new self that is mediated by t...

      Modern girl and modern boys meant a group of beauties who wore modern fashion and contemporary fashion at the height of modernity in Gyeongseong area. They are clearly distinguished from the previous figures by forming a new self that is mediated by the consumer of modern culture and the representation of goods.
      The leveling of consumption brought about by the transition from the class system to the capital society is accelerated by the appearance and advertisement of mass media which are printed and distributed to the masses like newspapers. In particular, newspaper advertisement can be said that it implies consumption culture by persuading and producing desire of people. As such, the advertisement in the modern era was not also a new culture but also a media that reflected and created a new awareness, value and ideology in the society by promoting consumption through introduction of new civilization and information.
      The narrative and image of modern girl and modern boy of Gyeongseong are suggested and vividly reflected through various visual materials such as newspaper advertisements, illustrations and photographs of the time. The advertisement was the medium that popularized and learned the idealized modern image that modern boy and modern boy pursued in the most familiar way to the public. In this way, modern boy and modern girl were consumers who appeared in the proliferation of consumer culture. In the process, while they were criticized as a symbol of luxury and vanity, they were also accepters of a new culture at the height of the modern era and the beauties of the modern era who attempted to experience modern, modernity, modern culture and modern value directly.

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      목차 (Table of Contents)

      • Ⅰ. 경성인, 소비문화의 첨단을 걷다
      • Ⅱ. 경성의 미인, 모던걸 모던보이를 만나다
      • Ⅲ. 모던걸 모던보이, 못된걸과 못된보이가 되다
      • 참고문헌
      • ABSTRACT
      • Ⅰ. 경성인, 소비문화의 첨단을 걷다
      • Ⅱ. 경성의 미인, 모던걸 모던보이를 만나다
      • Ⅲ. 모던걸 모던보이, 못된걸과 못된보이가 되다
      • 참고문헌
      • ABSTRACT
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      참고문헌 (Reference)

      1 홍선표, "한국근대미술사" 시공아트 2009

      2 한국광고단체연합회, "한국광고 100년" 한국광고단체연합회 1996

      3 김지혜, "한국 근대 미인 담론과 이미지" 이화여자대학교대학원 2015

      4 신인섭, "한국 근대 광고 걸작선 100: 1876-1945" 커뮤니케이션북스 2007

      5 신명직, "모던뽀이, 京城을 거닐다" 현실문화연구 2003

      6 김명환, "모던 시크 명랑" 문학동네 2016

      7 마정미, "광고로 읽는 한국 사회문화사" 개마고원 2004

      8 부산근대역사관, "광고 그리고 일상 1876-1945" 부산근대역사관 2004

      9 서지영, "경성의 모던걸" 여이연 2013

      10 "每日申報"

      1 홍선표, "한국근대미술사" 시공아트 2009

      2 한국광고단체연합회, "한국광고 100년" 한국광고단체연합회 1996

      3 김지혜, "한국 근대 미인 담론과 이미지" 이화여자대학교대학원 2015

      4 신인섭, "한국 근대 광고 걸작선 100: 1876-1945" 커뮤니케이션북스 2007

      5 신명직, "모던뽀이, 京城을 거닐다" 현실문화연구 2003

      6 김명환, "모던 시크 명랑" 문학동네 2016

      7 마정미, "광고로 읽는 한국 사회문화사" 개마고원 2004

      8 부산근대역사관, "광고 그리고 일상 1876-1945" 부산근대역사관 2004

      9 서지영, "경성의 모던걸" 여이연 2013

      10 "每日申報"

      11 "東亞日報"

      12 "朝鮮日報"

      13 "別乾坤"

      14 "京城日報"

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-03-23 학회명변경 한글명 : (재)성강문화재단 한국미술연구소 -> 한국미술연구소
      영문명 : Sung Kang Foundation -> Center for Art Studies
      KCI등재
      2008-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2007-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2005-06-29 학회명변경 한글명 : (재)성강문화재단 -> (재)성강문화재단 한국미술연구소
      영문명 : Sungn Gang Culture Foundation -> Sung Kang Foundation
      KCI등재후보
      2005-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.84 0.84 0.81
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.72 0.61 0.836 0
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