This paper investigated the costumes of young girl dancers in Yon wha dae moo(蓮花臺舞 : Lotus Stage dance) which were documented on the Ak-hak-guae-bum(樂學軌範 : Protocol of music) and the Jin-yeon-eui-guae(進宴儀軌 : Archives of Royal F...

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https://www.riss.kr/link?id=A102253914
2002
Korean
381
KCI등재
학술저널
1-13(13쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This paper investigated the costumes of young girl dancers in Yon wha dae moo(蓮花臺舞 : Lotus Stage dance) which were documented on the Ak-hak-guae-bum(樂學軌範 : Protocol of music) and the Jin-yeon-eui-guae(進宴儀軌 : Archives of Royal F...
This paper investigated the costumes of young girl dancers in Yon wha dae moo(蓮花臺舞 : Lotus Stage dance) which were documented on the Ak-hak-guae-bum(樂學軌範 : Protocol of music) and the Jin-yeon-eui-guae(進宴儀軌 : Archives of Royal Feast). The fashion of the costumes can be changed into three phases, based mainly on the changes of Hap-rip(蛤笠 : silk hat), Dan-eui(丹衣 : long jacket) and Sang(裳: apron type skirt). In the first phase the costume consisted of Hap-rip, round neck-line Dan-eui and tiered skirt decorated with pleat and Yu-so(流蘇 : decorated cords). In the second phase, it consisted of Hap-rip, v-shape neck-line Dan-eui and skirt without pleat. In the third phase, it consisted of Yeon-wha-swan(蓮花冠 : Lotus shape cap), round neck-line Dan-eui of later era and skirt with pleat and Yu-so. Yon-wha-dae dance appears to be adopted from Ja-ji-mu(자지무 : chinese dance) that originated in West and Central Asia. In both dances, young girl dancers danced mainly jump and spin. The costume of round neck-line Dan-eui seems to have been affected by the fashion in Dang Dynasty when young girls loved to wear Dan-ryung(團領 : male coat with round neckline). And it satisfied the need of mobility for the dance which was performed mainly with jump.
앙상블 수트의 의복형태구성요인의 시각효과에 대한 실험연구 (제 1 보)