전란의 상처 잡혀간 여자(被擄女)의 기억 -연행길의 진자점 계문란 사적에 대한 조선 지식인의 추모 의식- = Journal of Korean Literature in Classical Chinese : Memory of a Woman Taken as the Trauma of War -focused on Choson people`s memorial consciousness about the historic remains of captive Ke-Munlan of sub-Yangtze River at the Zhenzi Dien in the rout of goin

다국어 초록 (Multilingual Abstract)

The poetry written on the wall, was growing largely at the end of Ming and early of Ching, has handed down as a history of memory and a meterials of literature through the poetry composed in response by later generations. The historic remains of captive Ke-Munlan at the Zhenzi Dien of Hua Bei occurred in the year of 1678 had become the target for memorial during two hundreds years continually by Choson’s envoies to Yan Ching. In the total 59 cases discovered untill now there are a great amount of the verse and prose of memorial for Ke-Munlan’s remains by Choson’s Envoies. They understood it by two sight generally. One has a tendency to give prominence to the relief of the woman taken and the dream of returning home, another has a tendency to image the hardship of the bride bartered and seek for her solution to overcome. While the one is close to the theory of sympathy for the captive conditions, the other has a sensitive sight close to the theory of ethics agianst the crisis of prostitution. Over the years, the third tendency has been created, that they composed a tale of poetry with her remains and the prose in response, imagined the last condition of bride bartered, and intensified the narrativity of the tale. That all was a process to compose various theme of the captive literature.

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