비극 너머로:「구일만 햄릿」과 동시대 한국 다큐멘터리 연극의 스펙트럼 = Beyond Tragedy: Hamlet Only for Nine Days and the Spectrum of Korean Contemporary Documentary Theatre

다국어 초록 (Multilingual Abstract)

Contemporary Korean documentary theatre has a broad spectrum: from a critique of mass media to rearrangement of the relationship between the real and the fictional, more directors and spectators pay attention to this form as an alternative to staging social and political matters. Hamlet Only for Nine Days, in which laid-off factory workers play one of the most famous Shakespearean tragedies, shows what happened during the reinstatement struggle in blending tragedy with documentary, performance with rehearsal, and stage with screen. Understanding why they identified themselves with the prince of Denmark is not difficult. It was no easy task, however, for amateur actors to impersonate someone with whom they had a deep empathy. In order to act Hamlet and his opponents, they had to keep reminding themselves of their own traumatic experience for the past seven years. Reference to audio-visual documents grants audience members easier access to emotions of unskilled and untreated actors. Although the opportunity for restoring rights remains remote, over three thousand days of struggle including nine days of Hamlet have made them all-round performing artists.

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